Of all the things Ghent has to offer, its people are among the greatest gifts.Perfect example of thisis Wouter Bouvijn, who we meet in his beautiful town house. First impressions account for a lot andinhis colourful home Wouterinvites visitors into his calm,bright aura.That’s not to say his workdisplays thesameenergy. Productions such as‘Red Light’,‘The Twelve’and‘Crossroads’ show an intense and calculated mind at work. It comes down to visualizing, he explains. “The magic needs to come alive between ‘action’ and ‘cut’. When the cameras are rolling. No matter how prepared you are, or even how visually detailed it mightbein your mind’s eye.”
"I'd describe my style as comfy-classy. A style I maintain while on set."
To prepare is to make room for his gut feeling as a director. “I’m extremely prepared before shooting. However, as soon as the cameras start rolling, Ilet my instincts take over.” Wouter confesses, “It’s the meticulouspreparation that keeps me on track.”Testament to this modus operandi is his wardrobe, selected with a goal in mind.“I’d describe my style as comfy-classy. A style I maintain while on set.” Bouvijnstates; “The story is what matters on set. Everyone has a part to play, a part that, in turn, serves the characters. On set,I’m not supposed to stand out. Thatchanges during the première, when I’m dressed to walk the red carpet.”Wouterrelishesdonning his suit for these occasions, whichCafé Costumecan only applaud. “For a party, it’s perfectly OK to stand out. But as in film-making, details matter.” Recounting his experience while creating his suit, he adds, “Every part of the suit has a specificeffect, from button to collar felt. Wearing a tailored suit is an experience beyond compare.”With everythingWouter Bouvijnhas been putting out, he’s had to wearsuits at regular intervals. “Since‘De Twaalf’ I’ve been keeping busy.After‘1985’ I’m planning totake some time to regroup, read andcontinue writing my first feature film.”To Wouter, readingserves asrelaxation as much as ithelps infinding likely new projects.“